Kanchana
Kanchana Full Tamil movie Download in HD
 |
Kanchana Full Tamil movie Download |
Kanchana latest Tamil Movie Download. Kanchana is famous Tamil Movie. Kanchana Full Tamil Movie Download in HD with good quality. Kanchana Tamil movie Download in 720p, 480p, 360p In all Quality. Kanchana is Horror Tamil movie very famous movie. TamilMoviesHD provide you good quality tamil movie.
Kanchana tamil movie review :
Kanchana is a few spirit and its thirst for vengeance; well, we all knew that, didn’t we. No surprises there. Raghava Lawrence reprises the role of the constantly terrified young man from Muni; we all know what to expect here too. The novelty of seeing a hero as a coward wears off very soon because we've already seen it in Muni. But, Kanchana ends its similarities with Muni with these minimal points. All other aspects of the film are original. The plots of most scary films carry a flashback which details the explanations for the spirit lingering on within the world of humans even after death. it's this flashback which earns sympathy or wrath of the audience for the spirit and lends credence to the whole story of vengeance. Full credit to the manufacturers of Kanchana for fixing substance and message into the flashback which takes the movie a notch above hotchpotch horror films. Much else about the plot can't be revealed here because, being a suspenseful horror flick, they could really be spoilers for those that want to catch up with the film in theaters.
As is accepted in horror flicks; logical correctness of the central plot or credibility of the ghost/spirit’s acts through others are matters that ought to not be discussed, only experienced. And, Kanchana also demands that level of submission and acceptance from its viewers. First rule for a horror flick to strike it off with an audience is its ability to offer the spooks; else it all finishes up as a high and dry ride. Kanchana aces this rule; it does manage to offer the chills and thrills wherever it intends to. The ‘experimental’ scene where Kovai Sarala and Devadarshini attempt to confirm the presence of a spirit in their midst is one among those instances. the great thing about the whole affair is that the horror or spook quotient is usually maintained in good taste! What does that mean? The film doesn't contain any manipulative or artificial instances where deliberately positioned cameras, sudden shrieks and elaborate shots from behind a personality create a way of impending disaster. The director is honest together with his audience. Yes, there are a couple of instances of old fashioned horror, with graphics and bizarre forms appearing out of the blue, but it's strictly limited. But, it's not all about horror and spooks. there's a generous sprinkling of humor with Raghava Lawrence handling the portions. Lakshmi Rai seems to be around just for the glamour. The film looks sunny and cheerful in these portions, especially when he puts on his dancing shoes.
Horror films demand very convincing portrayals from the whole cast; everyone has got to wear completely terrified and bewildered expressions for the thrill to urge to the viewer. therein respect everyone has done a neat job. it's not too difficult for Lawrence, one would think, after having skilled the routine in Muni. But, the climax portions where he's possessed may need been physically demanding. Kovai Sarala repeats her mother act too and pulls it off together with her abundant experience. Devadarshini too is quite just convincing together with her portrayal. the women along side Lakshmi Rai have had to literally carry Raghava Lawrence throughout the movie which, while still being a results of spooky situations, does evoke a smile. Sriman doesn't have much to try to to and one cannot help but think that Lakshmi Rai is worth quite the part that she possesses here, but that's what the script demands.
The surprise packet however is Sarath Kumar. Who would have thought that an actor known for his physique and action would pass off so well within the role of a transgender? What would have made him take up this role? Well, the sole guess is that it's one character that doesn't conform to the long standing screen stereotype of transgenders; people that clap their hands in funny manners and invite money from every person . The film has shown them as people with immense self-respect and ideals while also remarking that being a transgender isn't a matter of choice but a congenital condition which can't be helped. The director deserves an enormous round of applause for introducing this attitude .
The only let downs within the entire outing are the music by Thaman. While the songs pass muster, it's the BGM which fails to feature spunk to the spooky scenes; more was expected from this promising young composer. The graphics too could are better, but we understand the budget limitations.
Overall, Kanchana may be a ride of spooks and chills, interspersed with moments of fun and dance. the great thing is that the spooks and chills haven't been provided only for the heck of it; they appear convincing and have an impact on the viewer. it's going to not be an aesthetic piece of cinema, but it does manage to interact a viewer who is willing to offer himself in to the central concept of the supernatural.
As is accepted in horror flicks; logical correctness of the central plot or credibility of the ghost/spirit’s acts through others are matters that ought to not be discussed, only experienced. And, Kanchana also demands that level of submission and acceptance from its viewers. First rule for a horror flick to strike it off with an audience is its ability to offer the spooks; else it all finishes up as a high and dry ride. Kanchana aces this rule; it does manage to offer the chills and thrills wherever it intends to. The ‘experimental’ scene where Kovai Sarala and Devadarshini attempt to confirm the presence of a spirit in their midst is one among those instances. the great thing about the whole affair is that the horror or spook quotient is usually maintained in good taste! What does that mean? The film doesn't contain any manipulative or artificial instances where deliberately positioned cameras, sudden shrieks and elaborate shots from behind a personality create a way of impending disaster. The director is honest together with his audience. Yes, there are a couple of instances of old fashioned horror, with graphics and bizarre forms appearing out of the blue, but it's strictly limited. But, it's not all about horror and spooks. there's a generous sprinkling of humor with Raghava Lawrence handling the portions. Lakshmi Rai seems to be around just for the glamour. The film looks sunny and cheerful in these portions, especially when he puts on his dancing shoes.
Horror films demand very convincing portrayals from the whole cast; everyone has got to wear completely terrified and bewildered expressions for the thrill to urge to the viewer. therein respect everyone has done a neat job. it's not too difficult for Lawrence, one would think, after having skilled the routine in Muni. But, the climax portions where he's possessed may need been physically demanding. Kovai Sarala repeats her mother act too and pulls it off together with her abundant experience. Devadarshini too is quite just convincing together with her portrayal. the women along side Lakshmi Rai have had to literally carry Raghava Lawrence throughout the movie which, while still being a results of spooky situations, does evoke a smile. Sriman doesn't have much to try to to and one cannot help but think that Lakshmi Rai is worth quite the part that she possesses here, but that's what the script demands.
The surprise packet however is Sarath Kumar. Who would have thought that an actor known for his physique and action would pass off so well within the role of a transgender? What would have made him take up this role? Well, the sole guess is that it's one character that doesn't conform to the long standing screen stereotype of transgenders; people that clap their hands in funny manners and invite money from every person . The film has shown them as people with immense self-respect and ideals while also remarking that being a transgender isn't a matter of choice but a congenital condition which can't be helped. The director deserves an enormous round of applause for introducing this attitude .
The only let downs within the entire outing are the music by Thaman. While the songs pass muster, it's the BGM which fails to feature spunk to the spooky scenes; more was expected from this promising young composer. The graphics too could are better, but we understand the budget limitations.
Overall, Kanchana may be a ride of spooks and chills, interspersed with moments of fun and dance. the great thing is that the spooks and chills haven't been provided only for the heck of it; they appear convincing and have an impact on the viewer. it's going to not be an aesthetic piece of cinema, but it does manage to interact a viewer who is willing to offer himself in to the central concept of the supernatural.
Screenshots:
