Dear Comrade (2020)

Dear Comrade Full Tamil Movie Download in HD

Dear Comrade Full Tamil Movie Download

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Dear comrade tamil movie review:

The first few scenes of Bharath Kamma’s Dear Comrade appear as if outtakes from Arjun Reddy. Bobby (Vijay Deverakonda) may be a stud-rebel hero who pees everywhere conventional notions of heroism—quite literally so. he's introduced while relieving himself during a comfort station . A cigarette is stuck at the corner of his mouth. His walk may be a drunken stagger. He lashes out at others, manufacturing a fight out of nothingness , as if to alleviate himself of his aggression. But he’s hurting. His eyes are wet. He goes to a telephone booth to form a call. When it doesn’t get through, he smashes the glass walls, rips the receiver off, holds it in his bleeding hand and tries making the call… again. He doesn’t realise the phonephone is as dead as he feels inside. during a short span, Vijay Deverakonda has made the Devadas as Temperamental Rockstar™ slot his own, and once you see the film’s tagline (“Fight for what you love”), it appears that this “love” is that the person (Lilly, played by Rashmika Mandanna) Bobby was making that bloody-handed call to. Red is, after all, a Comrade’s colours.

But this tagline may be a clever diversion. the first portions of Dear Comrade found out the Vijay Deverakonda persona we know—he’s within the student’s union, and he keeps stepping into fights. But despite the odd Guevara poster on the wall, Bobby isn’t particularly driven by ideology. He’s just a hothead. (His principal says he’s too impulsive.) The film is about what happens when Bobby stops being a hothead (well, mostly) and grasps the ideology, the meaning of the word “comrade” he’s been throwing around like loose change. “Fight for what you love”, it seems , isn’t about Bobby in the least . Yes, he falls for Lilly and loses her at one point, but the “fight“—as it unfolds within the second half—is Lilly’s, and “what she loves” isn’t just Bobby but cricket. She’s a state-level player, but something happens (it’s #MeToo-related) and she’s not on the team. Her return to the crease is what the dear comradeship is about.

Dear Comrade is, thus, a reasonably unique film. On one level, it's a love story—and yet, it isn’t quite that romance . On the one hand, there’s the considerable pleasure of paying time with a young, easy-on-the-eyes couple (with an easy-on-the ears Justin Prabhakaran score). But it’s not almost looks. Watch the scene where Bobby leaves Lilly’s house and bounds copy the steps to embrace her. The tranquil look on Vijay’s face suggests a saint who, after an extended penance, has found God. Of course, the director is conscious of his star’s stardom. When Bobby leaps in slo-mo and strikes someone on the top , the editor cuts to fireworks exploding within the sky, and there’s a fuck-you moment that caused a delighted roar within the theatre i used to be in. But that kind of thing can only take an actor thus far . (It gets old very quickly.) What suggest Vijay Deverakonda could also be here for an extended innings are his exquisitely modulated reaction shots. (He squirms marvellously). And what grounds the character is that the boy-next-door normalcy. Bobby’s mother sends him off on errands to grind flour and obtain gas cylinders, and even in fights, there are times he gets beaten up. Vijay Deverakonda could also be subsequent superstar, but Bobby, at least, isn't superhuman.

Lilly, too, comes with an excellent deal of vulnerability. There’s a tragic event in her past, and it causes you to see why she doesn’t like—is scared of—Bobby’s hotheadedness. Rashmika Mandanna is that the film’s surprise, directly soft and steely. With her, too, the littlest scenes are so convincing—like when the camera moves up from her feet, while she is close to sleep, and catches her “I am back with Bobby” smile. When she hands over her cricketing gear to kids within the neighbourhood, you are feeling Lilly’s sadness but you don’t see it. (It’s a special quite performance once you sense an emotion from within.) Even Lilly’s clothes increase the performance. At first, she is nearly always in skirts and once we see her in Indian finery, at her sister’s wedding, we gasp along side Bobby. But within the last half , after the incident that causes her to prevent playing, she is seen tons in demure Indian clothes. It’s like she’s not just given up her cricketing pants but a neighborhood of her soul.

When Bobby tells Lilly he loves her (it’s a beautifully directed scene, within the midst of a wedding), she backs off. That’s the primary sign that this is often not just a romance . within the half , Bobby wants Lilly to remain , but she leaves. within the post-interval portions, it’s the reverse—it’s as if their personalities are swapped. Now, she’s where Bobby was (satisfied with someone to love) and he’s where she was (someone who realises there’s more to life than love). And Dear Comrade turns Bobby into Lilly’s therapist, conscience, cheerleader—everything but her lover. (All the duets are exhausted within the half .) It’s not that Bobby has stopped loving Lilly. It’s more that she’s not the Lilly he fell crazy with and getting her back to being that Lilly is his first priority as a “comrade”.

This Bobby is calmer, wiser, less impulsive. When Lilly speaks of a prospective groom, based in Canada, he simply smiles. Arjun Reddy would have flown to Canada and broken a couple of bottles of lager on the man’s head. So what turns him into a hothead again? It’s learning what happened to Lilly. The writing (refreshingly) doesn’t explain everything, but there’s enough for us to attach the dots. When Bobby thought Lilly was gone permanently , he mellowed down, but now that she’s back and broken, the old Bobby resurfaces. But there are other places you would like the story had been shaped better. Does angst always need to find refuge in Leh/Ladakh? Given how important Bobby’s grandfather is within the scheme of things, why does he come off sort of a doodle on the margins of the script? Why not spend a touch longer (of the mammoth 170-minute duration) in detailing how Bobby found his calling in recording sounds and nature therapy? Would the “new and improved” Bobby do something as brashly impulsive as kidnap a psychiatric patient, convinced that he can fix her? The student-union portions are depressingly generic, but the larger problem is that the cheap melodrama within the parts that reveal the cause behind Lilly’s trauma. Arjun Reddy would have driven up to the screenwriter’s house and broken a couple of bottles of lager on the man’s head.

At the end, “fight for what you love” becomes both Bobby’s fight for Lilly and Lilly’s fight for justice. Dear Comrade contains all the normal joys of mainstream cinema, just like the brilliantly choreographed song sequence at a marriage . the planet and therefore the people around Bobby and Lilly (especially Shruti Ramachandran as Lilly’s older sister, with a really funny little bit of history with Bobby) are so warm, so lived-in, so lovable that i might have happily settled for just a romance . But i used to be impressed by the film’s utter commitment to its other story. There’s a stunning stretch where Lilly learns Bobby was brooding about her once they were apart, and it's like we are back within the romance , but literally subsequent second, we are yanked out of it. We are then yanked into a courtroom. These aren't the beats I expected, and it felt amazing to observe the hero take a backseat to the heroine’s journey. Bobby isn’t the saviour who snaps his fingers and frees Lilly from her trauma. he's forced to attend till she finds it within her to try to to what he wants her to try to to . We’ve heard about this over and over within the #MeToo episodes. you can't be out there together with your story simply because people want you out there. you've got to be ready. the interior processing comes first, and it’s touching to ascertain how Lilly almost runs faraway from this processing. She wants to forget the entire thing and begin life anew with Bobby, but he knows that’s just denial. And when she gets her moment, he isn’t even within the same room. He sees her having her moment. He smiles. He leaves.